本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

When the Time Traveller courageously stepped out of his machine for the first time, he found himself in the year 802,700 -- and everything has changed. In another, more utopian age, creatures seemed to dwell together in perfect harmony. The Time Traveller thought he could study these marvelous beings -- unearth their secret and then retum to his own time -- until he discovered ...(展开全部)

NOW IN PAPERBACK-FROM THE AUTHOR OF MARSBOUND Grad- school dropout Matt Fuller is toiling as a lowly research assistant at MIT when he inadvertently creates a time machine. With a dead-end job and a girlfriend who left him for another man, Matt has nothing to lose in taking a time-machine trip himselfaor so he thinks.

乔·霍尔德曼（Joe Haldeman）：雨果奖和星云奖双料得主。曾两度担任美国科幻作家协会主席，目前为美国麻省理工学院副教授。 著有《门》、《意外的时间机器》（The Accidental’rime Machine）和《古老的二十世纪》（OldTwentieth）。作品文字风格清晰明快，常以其聪明才智提出了基于尖端技术的思考，被誉为科幻小说界最可靠的开创者之一。 . 译者 - 高天羽 网名“红猪”，爱读书，读完的不多；爱看电影，看过的不少。英文半瓶醋，汉语三脚猫。闲极无聊开始翻译，先是兴趣，继成工作，作品有《神秘失踪的太空船》、《沉思课》等。译笔不精彩，幸亦无大过。自勉云：译事刚刚起飞，新手仍需努力。

Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and image. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-...(展开全部)

For the first time in print——and with a foreword by Wassim Z. Alsindi, Max Hampshire, and Paul Seidler——Anna Greenspan’s doctoral dissertation, Capitalism’s Transcendental Time Machine is available. In the dissertation, Greenspan seeks to establish a connection between abstract thought and material practice by simultaneously melding Kant’s transcendental philosophy of time——as ...(展开全部)

Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and image. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-...(展开全部)

迪恩·博南诺（DEAN BUONOMANO） 是加州大学洛杉矶分校神经生物学系和心理学系的教授，并任学习和记忆整合中心的研究员，他经常关于神经科学受邀到一些媒体发表讲座或访谈，包括《新闻周刊》《发现者杂志》《科学美国人》《洛杉矶时报》《科学家》《纽约客》等。 译者简介 闾佳 资深翻译工作者，主攻通俗经济学、社会心理学、经济管理及科普方向的非虚构类作品，历年来已出版多部广受好评的翻译作品，包括《牛奶可乐经济学》（2008年获中国国家图书馆文津奖）、《影响力》系列、《理性乐观派》和《游戏改变世界》系列。其余畅销图书还包括《欲罢不能》《自下而上》《与机器赛跑》等。

"Virilio offers a cool, precise look at an impending future in which reality shall simply cease to exist. Highly recommended." -- ChoiceSurveying art history as well as the technologies of war and urban planning, one of France's leading intellectuals provides an introduction to a new "logistics of the image."

Humans are extraordinary creatures, with the unique ability among animals to imitate and so copy from one another ideas, habits, skills, behaviours, inventions, songs, and stories. These are all memes, a term first coined by Richard Dawkins in 1976 in his book The Selfish Gene. Memes, like genes, are replicators, and this enthralling book is an investigation of whether this lin...(展开全部)